Hoard, Bim Adewunmi’s love letter to the Black British experience

Hoard, Bim Adewunmi’s debut play, opened at the Arcola last week. Set in east London, Hoard follows three Nigerian sisters as they navigate the fallout of their mother stumbling upon their dinner party, to which she was not invited, with a significant guest of honour they have kept secret from her. Audiences witness an unexpected, necessary, and resonant conversation between mother and daughters, with Adewunmi exploring the contours of a multi-generational British Nigerian family. Hoard is both funny and refreshing, an example of theatre that focuses on the joy, rather than trauma, of the Black British experience. It is a reminder that our stories do not have to be painful to be real, valid, and worth programming.

Hoard is open until 8th June 2019. Get your tickets before they sell out, and check out some behind the scenes photos below!

By Nkenna Akunna

Nkenna is an Igbo playwright and performer from London. Her work has been staged in the UK and USA, and she is a winner of the 2021 Rosa Parks Playwriting Award and 2021 Lorraine Hansberry Playwriting Award from The Kennedy Center, the 2021 Neukom Institute Literary Arts Award for Playwriting, and the 2021 Papatango Prize. Nkenna is currently an MFA candidate in Playwriting at Brown University and she is represented by Alex Rusher at Independent Talent. Nkenna has been writing and editing for Skin Deep since 2015, and has lead on our online editorial work, including our written interview series Skin Deep Meets. She is currently based in New York and missing London every day. Email: nkenna at skindeepmag dot com / Twitter: @nkenna_akunna / Insta: @nkenna_akunna